| 1 |  | Angela Ardis
Details the daily exchange and special bond between the author and Tupac Shakur, which commenced during his stay at Riker's Island, in this powerful collection of personal letters, original poems, and intimate conversations that provides ... | who lists this book
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| 2 |  | Richard R. Powell
This volume provides practical suggestions along with accessible philosophy to make the writing life more productive, peaceful, and fulfilling. | who lists this book
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| 3 |  | Nancy Kress
This accessible book is filled with interactive exercises and valuable advice that teaches you how to: Choose and execute the best point of view for your story Create three-dimensional and believable characters Develop your characters' ... | who lists this book
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| 4 |  | Ansen Dibell
Ansen Dibell. first scene is Val alone in her drafty loft wandering vaguely around after a concentrated session of carefully carving and smoothing, as she reconnects by degrees with the realities of time, neighbors, weariness, not having eaten. | who lists this book
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| 6 |  | Alan Watt
The 90-Day Novel is smart, insightful, thorough and wise; and it is one of the best books on novel-writing I have ever seen. --David Liss | who lists this book
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| 7 |  | Angela Ackerman, Becca Puglisi
This book comes to the rescue by highlighting 75 emotions and listing the possible body language cues, thoughts, and visceral responses for each. | who lists this book
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| 8 |  | Barbara Baig
Praise for How to Be a Writer "This is a wise, humane and practical book for anyone who wants to write; it guides the novice and re-awakens the veteran to processes and practices which can bring out the best writing in all of us. | who lists this book
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| 9 |  | John Drury
John Drury. WR1TING REFERENCE/POETRY O yUreatin? «_y oet >r eating oetry Poets can't impose their will on the muse. That's why it's so important that you write regularly, keep reworking your drafts, and experiment in your writing. | who lists this book
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| 10 |  | Mary Oliver
Offers advice on reading and writing poetry, and discusses imitation, sound, the line, poem forms, free verse, diction, imagery, revision, and workshops | who lists this book
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